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"Versatile single-cut with Korina warmth and an addictive humbucker-P90 personality."
I spent several weeks living with the Reverend Double Agent OG MA to see what its humbucker-in-the-bridge / P90-in-the-neck recipe actually delivers day-to-day, and I came away impressed by how naturally it sat between rock grit and articulate twang. My background is in gigging alt- and indie-leaning material where I need clarity in the neck pickup and enough bite out of the bridge to push pedals or a tube amp, so this was exactly the kind of platform I wanted to test thoroughly.
First Impressions
Right out of the case the Double Agent OG felt light and resonant - the korina body gives it a surprising liveliness that you feel right at the first unplugged strum, and the roasted maple neck has that smooth, slightly satiny feel that invites long practice sessions. The controls are intuitive - volume with treble bleed, tone and a bass-contour knob - and the Tune-O-Matic with stoptail felt solid and stable for immediate setup and playing.
Design & Features
The Double Agent OG is a bolt-on single-cut built on a korina solidbody and a roasted maple neck - in my example the fingerboard was rosewood and the neck profile sat in a comfortable medium-oval that neither felt too slim nor too chunky. It has a 25.5-inch scale with a 12-inch (305 mm) radius and 22 medium-jumbo frets, a Boneite nut at 43 mm width, Reverend Pin-Lock tuners and a standard TOM bridge with a stoptail. The pickup lineup is what makes the guitar interesting - Reverend's HA5 humbucker in the bridge with a 9A5 P90 in the neck, controlled by a 3-way switch plus volume (with treble bleed), tone and their bass-contour control. Stock setup was playable out of the box with .010-.046 strings.
Playability & Feel
The medium-oval roasted maple neck felt familiar and comfortable from the first minute; I found myself moving up and down the neck without friction or sticky spots, which made bending and vibrato feel natural. The 12-inch radius gives enough flatness for chording and single-note runs without feeling glassy under my hand, and action at my setup was low enough for speed but high enough to avoid fret buzz when I dug in hard.
Tone & Electronics
Tonally the pairing of a beefy HA5 humbucker with a barky 9A5 P90 is a winner - bridge position is thick and punchy, pushing an amp or pedal into pleasing mids-driven breakup, while the neck P90 has a sweeter top-end crystal that still retains some midrange bite. The bass-contour knob is genuinely useful - rolling it back tightens the low end and helps the P90 sit in a dense, vocal midrange for verses or clean arpeggios. One practical note from my hours playing - the P90 side can pick up the usual single-coil hum in silent positions, so if you're chasing dead-quiet single-coil alternatives you may need noise mitigation strategies onstage or at home.
Real-World Experience
I used the Double Agent in rehearsal and for a couple of short live run-throughs, running it through an all-tube head and a couple of modelers - it translated very well. With my amp clean it makes gorgeous shimmering cleaner tones through the neck pickup and with the bridge pickup and a mild overdrive it sings in a way that pushed my band mix without sounding boxy. The TOM/stoptail hardware held intonation and tuning through bends and a few aggressive passages, and the Pin-Lock tuners did their job when I needed quick retuning between songs.
The Trade-Offs
There are a few compromises to note - finishes on some examples I've seen can show small flaws and surface irregularities, and the P90's inherent noise may be a factor in ultra-quiet recording situations. Also, while most instruments I tried were nearly setup-ready, a small number of owners report wiring or jack-seat issues that needed simple shop attention - not a dealbreaker, but worth checking at purchase or having tech support lined up.
Maintenance & Setup Notes
Simple maintenance tips - check the input jack seating (Reverend-style jacks can be two-click style) and give pots and contacts a quick clean if you get intermittent dropouts, and you may want to have a tech check intonation and pickup height if you prefer a very particular string-to-bridge feel. The roasted maple neck is stable, but I still recommend a basic setup after shipping to dial in personal action and relief preferences.
Final Verdict
After a few weeks with the Double Agent OG MA I can say it delivers a rare combination of growly bridge tones and articulate P90 neck character in a light, resonant korina single-cut platform that plays very comfortably for extended sessions. If you want a versatile instrument that can cover gritty rock, jangly cleans and mid-driven rhythm work with personality - and you don't mind a little P90 hum or checking your finish at purchase - this is a compelling value around the $1k neighborhood. I recommend it to gigging players and tone-chasers who want something different from the usual two-humbucker or Stratocaster templates.
Helpful Tips & Answers
- Is the neck comfortable for long playing sessions?
- Yes - the roasted maple medium-oval profile felt smooth and comfortable for long practice and gigging runs, and I had no hotspots or stickiness after hours of playing.
- How noisy is the P90 in the neck position?
- It has the typical P90 single-coil character, so you'll hear some hum in very quiet setups or when using high gain, but the bass-contour and volume controls help tame it in a mix.
- Does the bass contour control make a big difference?
- Absolutely - rolling it back tightens the low end nicely and helps the neck P90 sit perfectly in the midrange for clearer rhythm work.
- Is the guitar heavy or light?
- It leans toward light-to-medium thanks to the korina body - I found it comfortable on a strap for full sets without feeling unwieldy.
- How is the hardware - did the bridge hold tune?
- The TOM and stoptail were solid and stable for my use, and the Pin-Lock tuners gave reliable tuning with minimal slippage.
- Do I need to mod the pickups to get more versatility?
- Not necessarily - the HA5 and 9A5 pairing already covers a wide range, but players seeking coil-splits or hum-cancel middle tones may explore mods later.
- Any immediate setup I should budget for?
- I recommend a quick setup after purchase to dial action and intonation to your taste, but most examples I tried were close to playable out of the box.
Reviewed Jan 21, 2020by Musicngear Verified Community Reviews
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"A compact T-style that delivers big, warm humbucker tone with modern playability."
Review of Reverend P.Anderson Easts.Cust. LTD MBK
I spent several weeks with the Reverend Pete Anderson Eastsider Custom and came away impressed by how much girth and character Reverend managed to pack into a T-shaped platform. My background is playing a mix of country, roots-rock, and gritty overdriven bar-band stuff, so I was specifically listening for twang, midrange bite, and how the guitar behaves under overdrive.
First Impressions
Right out of the case the Eastsider Custom feels surprisingly balanced - it is chambered Korina, but not overly light, and the set-neck construction gives it a thicker, more sustaining vibe than a bolt-on Tele will. The ebony fretboard and the three-piece Korina neck present a slick, solid playing surface and the compound radius makes fast runs comfortable without choking when I curled into bends.
Design & Features
The Custom blends familiar Tele cues with a few boutique touches - chambered Korina body, three-piece Korina neck set into the body, and an unbound ebony fretboard with a 10-14 inch compound radius. Electronics are straightforward but flexible - a Telbucker in the bridge and an HA5 in the neck on a 3-way with the tone pot pulling for phase - and hardware includes Reverend pin-lock tuners and a string-thru hardtail bridge that keeps tuning stable and strings seated. The finish is a thin, UV-cured coat that lets the wood breathe but means the patina will develop faster than a thick poly - something to be aware of if you want museum-new looks forever.
Playability & Usability
With a 24.75 inch scale and a medium-oval neck profile the Eastsider Custom immediately felt familiar and comfortable - especially if you come from Gibson-style guitars. I found chording and single-note work equally intuitive thanks to the compound radius, and the neck-to-body join feels smooth so accessing the upper frets is easy. The pin-lock tuners are a game-changer for quick string swaps and stability onstage, and the dual-action truss rod with headstock access made my neck adjustments fast during temperature swings.
Sound & Tone
Tonally this guitar sits in a rich midrange place that can cover classic twang, warm rhythm, and thick overdriven textures without sounding muddy. The Telbucker bridge gives a fat, humbucker-style low end while retaining enough clarity to cut through a band mix, and the HA5 neck pickup is sweet for cleans and bluesy leads. The phase-pull on the tone control opens up usable out-of-phase sounds that are great for funk or a thinner Tele-ish bite, and the chambering adds a gentle airiness - at times it gave me semi-hollow-like resonant textures that I actually leaned into on cleaner parts.
Real-World Experience
I used the Eastsider Custom at home, in a rehearsal, and for a couple of low-key gigs. Onstage it sits well in a full band and the Telbucker pushed through a crunch amp channel subtly different from a standard humbucker - it has more midrange focus that helps rhythm parts ring out. In the studio I tracked both clean and overdriven parts - the sustain and harmonic complexity from the set neck were very noticeable, and with moderate compression the guitar sat in the mix without fighting other instruments.
The Trade-Offs
There are a few things I wished were different - the finish, while tone-friendly, shows wear more quickly than thicker finishes so you will likely get vintage-y checking or dings if you gig it a lot. The control layout is simple and useful, but players used to multi-switch wiring might miss additional pickup combinations without adding mods. Finally, while the neck is comfortable for many, players looking for a super-slim modern profile should try one first as the medium-oval is more traditional.
Final Verdict
The Reverend Pete Anderson Eastsider Custom is a smartly executed hybrid - a T-shaped silhouette delivering set-neck sustain, humbucker thickness, and modern playability. I recommend it to players who want Tele-like ergonomics but crave fatter tone and more sustain - country, roots rock, soul, and mid-gain rock are where it really shines. If you gig regularly and like a guitar that wears in rather than wears out cosmetically, this will likely become a reliable stage and studio workhorse for you.
by Musicngear Verified Community ReviewsHelpful Tips & Answers
- What scale length is the Eastsider Custom and how does it feel?
- It uses a 24 3/4 inch scale that feels a touch slinkier than a 25.5 inch, making bends and vibrato feel a bit easier and giving notes a warmer response.
- Are the pickups versatile enough for both clean and dirty tones?
- Yes - the Telbucker and HA5 combo gives full, articulate cleans and a thick overdriven character that holds together well in a band mix.
- How is the neck profile for long playing sessions?
- The medium-oval neck is comfortable for long sets - I had no hand fatigue and found chording and single-note work equally comfortable.
- Will I need to modify the guitar to get more pickup combinations?
- Out of the box the 3-way plus phase-pull gives useful variety, but if you want Fender-style in-between voicings or coil-splitting you may consider modest wiring mods or pickup swaps.
- How durable is the finish for gigging?
- The thin, UV-cured finish sounds great but shows wear more readily, so expect natural aging with frequent gig use rather than a pristine look forever.
- Do the pin-lock tuners really work live?
- Absolutely - they speed up string changes and kept tuning stable for me even after aggressive bending and trem-less dives.
"A modern T-style with meatier low end, surprising versatility, and excellent playability."
Review of Reverend Buckshot CB
I spent a concentrated week with the Reverend Buckshot CB to see if the company’s claim - that it gives you vintage T-style twang but thicker and more versatile - really holds up. I approached it as a working player who needs one guitar to cover cleaner country/indie tones and mid-gain rock, and I wanted to judge fit, feel, and how the pickups translate through pedals and an amp.
First Impressions
The first thing that hit me was the roasted maple neck’s color and slick feel - it looks like caramel and plays very smoothly right out of the case. The Buckshot’s Korina body has a pleasant weight and resonance that made me expect sustain before I even plugged it in, and the Tune-o-matic/stop-tail layout gives the guitar a reassuringly solid feel compared to a traditional Tele bridge and ashtray setup. The control layout is simple - volume with a treble-bleed, tone, and a useful passive bass-contour - and it didn’t take long to find usable settings across clean, sparkle, and pushed amp tones.
Design & Features
The Buckshot mixes familiar elements in a way that makes sense in practice: a Korina solidbody, roasted maple bolt-on neck, and a 12" radius fingerboard with 22 medium-jumbo frets. It ships with a slanted Greasy T single-coil in the bridge and a Retroblast/RevTron-style mini-humbucker at the neck - the pickup voicing is intentionally matched so the two positions sit well together in output. Tuners are Reverend’s Pin-Lock design for fast string changes and the six-bolt neck plate gives a noticeably solid neck-to-body coupling that I felt improved sustain and stability.
Build Quality & Protection
Out of the box my test guitar showed a clean, consistent finish with neatly seated binding and no finish runs - the roasted maple neck and hardware felt carefully assembled. The Boneite nut and dual-action truss rod are practical choices and the pin-lock tuners inspired confidence during heavy string bends and drop tuning attempts. I didn’t see any structural red flags after several gigs-worth of playing, and the Tom-style bridge/stop tail is robust and keeps intonation stable once set up.
Playability & Usability
The medium-oval neck profile and low action made fast chord work and single-note runs comfortable for hours; the 12" radius is a sweet spot for hybrid players who bend yet want clean chord voicings. Upper-fret access is fine thanks to the heel contour - I felt comfortable working up to the 20s. The controls are intuitive onstage - the treble-bleed preserves clarity when rolling down volume and the bass-contour knob is a quick, tactile way to tighten things up when switching from clean to overdriven textures.
Real-World Experience
In rehearsal and a couple of small gigs the Buckshot covered a lot of ground: the Greasy T bridge is a single-coil that has more mid and low punch than a typical Tele bridge, so it sits well with stacked drives and pedals without getting glassy. The Retroblast neck hum gives me warm rhythm tones and chordal thickness without mud - I used it for jangly clean verses and then flipped to bridge for a crunchy chorus and it cut through. I also liked how the bass-contour let me dial out excess bottom when using high-gain pedals - it’s an honest, playable control rather than a gimmick.
The Trade-Offs
There are a few compromises - the Buckshot is heavier and chunkier in character than a traditional Tele, so players chasing ultra-light, glassy Tele tones might find it too thick. If you want a full-sized neck humbucker at the neck position you’ll miss that fatness here - the Retroblast is more mid-focused and leaner, which is great for certain styles but not if you want huge humbucker sustain and width. Also, the TOM/stop tail gives better sustain but changes the classic Tele resonance and bridge feel that some purists prefer.
Final Verdict
The Reverend Buckshot CB is a very successful blend of Tele-derived twang and modern heft - it’s a guitar I’d happily use as my one-in-the-rig instrument for indie, Americana, and mid-tempo rock work. It’s not a Tele replica and it doesn’t pretend to be; instead, it offers a practical, road-ready take with reliable hardware and a pickup set that’s balanced for both clean clarity and overdriven punch. If you want a versatile T-style that leans toward fuller tones and spot-on playability, the Buckshot is a strong contender.
by Musicngear Verified Community ReviewsHelpful Tips & Answers
- What woods and neck profile does this have?
- It uses a Korina solidbody with a roasted maple bolt-on neck and a medium-oval profile that felt comfortable for long sessions.
- What pickups are installed and how do they sound?
- The bridge is a Greasy T single-coil with extra mid/low punch and the neck is a Retroblast mini-humbucker that sounds warm but a bit leaner than a full humbucker - together they balance well.
- Is the bass contour knob useful or just cosmetic?
- I found the bass contour very practical for tightening the low end on overdriven tones and for re-voicing the pickups quickly onstage.
- How stable is the tuning and hardware onstage?
- The Reverend Pin-Lock tuners and six-bolt neck feel very stable - I had no tuning surprises after bending and going through multiple pedals.
- Is this a good choice for someone who plays both country and rock?
- Yes - its bridge twang and neck warmth make it flexible enough for clean country parts and mid-gain rock, though it leans thicker than a classic Tele.
- Does it need a setup out of the box?
- The sample I played was well set up, but like any guitar you may prefer to tweak action and intonation to taste, especially if changing string gauge.