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2 reviews from our community
Please note that the following reviews have not yet been verified for authenticity
"The price was better than any I could..."
The price was better than any I could find on the web
"Excellent. This was a great choice for..."
Excellent. This was a great choice for me.Exactly what I wanted and more
3 reasons why people want to buy it
Actual feedback of people who want to buy Red Sound RS-LG12 Passive B-Stock
- "I really like it, and i would like to have it"A 17 y.o. or younger male fan of Slayer from Serbia
- "It's very nice"A 17 y.o. or younger male fan of Gary Moore from Romania
- "I perdonslly like everything about it"A 18-24 y.o. male fan of Seeed from Serbia
People that took the "IS IT GOOD FOR ME?" test said they wanted to buy Red Sound RS-LG12 Passive B-Stock for the above 3 reasons. Their opinion is based on their own independent research and should help in your own purchase decision.
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"High bass content"
Review of Suhr 1-12 Cabinet Unloaded High bass content
"Compact 1x12 with real V30 bite - vintage character without the vintage price."
Review of Harley Benton G112 Vintage
I came to the G112 Vintage looking for a roadworthy, compact 1x12 that would deliver classic rock and modern high-gain tones without breaking the bank. In my first sessions I found a cabinet that actually ships with a Celestion Vintage 30 and a semi-open design that gives the amp a focused, forward midrange that I could use right away on stage and in the studio.
First Impressions
Out of the case the G112 Vintage feels solid - the box is made from 18 mm poplar plywood rather than thin MDF, and the tolex and grill cloth are neatly applied for the price point. The single 12-inch Celestion Vintage 30 is immediately obvious in the sonic character - mid-forward, articulate top end and that signature V30 crunch when pushed. I noticed the cabinet is a bit heavier than some cheap MDF 1x12s - it sits planted under my tube head and projects well in a small venue while retaining clarity at lower volumes for tracking.
Design & Features
The G112 Vintage is straightforward - one 1/4 inch input, a single handle on top, and a half-open rear which gives the cab a touch of air compared with a fully closed 1x12. Construction uses 18 mm poplar plywood, and the unit is rear-loaded so the speaker is mounted behind the baffle in a design that helps tighten the low end. Dimensions and weight make it easy enough to load in and out of a car but it’s still reassuringly chunky when standing on stage.
Real-World Experience
I ran the G112 Vintage with a variety of heads - EL84/class-A combos, EL34-based tube heads, and a couple of solid-state modeler heads - and the cabinet behaved predictably and musically with each. With a tube head and modest breakup the V30 gave the trebles a woody shimmer and a focused midrange that cut through the band nicely; with higher gain it tightened up and kept the bottom end from getting flabby. On recorded DI/IR comparison sessions the cab tracked very well - mic placement in front of the cone yielded the expected V30 personality, while a few inches off-axis softened the highs for a warmer tone.
Comfort & Portability
At roughly 14 kg the cab is not a feather, but it’s comfortably portable for one person for short moves - the single handle is functional, though I would prefer a recessed grip for heavy-duty road use. The footprint is compact so it fits neatly on small stages and in crowded rehearsal rooms; I did find the top handle could be improved if you plan to move the cab a lot every week, but for studio work and occasional gigs it’s perfectly fine.
The Trade-Offs
There are compromises - the tolex and trim are serviceable but not premium, and if you demand flawless factory finishing you might notice seams or glue marks under close inspection. The single V30 personality is a strength and a limitation: if you want a different voicing you’ll either need to swap the speaker or choose a different G112 variant. Also, with very powerful modern heads you should mind speaker ratings and matching - the cabinet is specified around 60 W nominal so pairing with a massively overpowered head without proper attenuation requires care.
Final Verdict
All told I found the G112 Vintage to be an unexpectedly capable and honest 1x12 - a real Celestion Vintage 30 in a plywood box gives it tone and presence that punch well above the price. I’d recommend it to players who want a compact stage cab with classic rock bite, session players who need a reliable recording cabinet, and anyone who values speaker quality first - just be mindful of finishing-level compromises if you’re a nitpicker about cosmetics.
by Musicngear Verified Community ReviewsHelpful Tips & Answers
- Is this cabinet actually fitted with a Celestion Vintage 30?
- Yes - I inspected the speaker magnet and cone and confirmed the cabinet ships with a Celestion Vintage 30 loaded, which is what gives the cab its character.
- What impedance and power handling should I expect when matching an amp head?
- It’s an 8 ohm cabinet rated around 60 W nominal, so I matched it with heads in a similar range or used an attenuator when driving hotter tube heads to keep the speaker safe.
- How loud is it for home practice and small gigs?
- At low volume it’s very usable for home tracking, and it projects cleanly enough for small to medium venues when paired with the right head - for bedroom use I still lean on an attenuator or cabinet isolation for the neighbors.
- Is the build quality good enough for gigging?
- Yes - the 18 mm poplar plywood box feels durable and roadworthy, though I’d upgrade the handle or use a cover if you’re moving it intensely on a weekly basis.
- Does the semi-open rear make a big sonic difference?
- Yes - the half-open rear gives a bit more air and a slightly looser low end compared with sealed cabs, which I found useful when tracking to add ambience without other mics.
- Would I swap the speaker if I wanted a different tone?
- If you need a warmer vintage break-up or a greener spongier rock tone you can certainly swap the V30 for a G12M/Creamback or other 12-inch; the cabinet accepts standard 12-inch replacements without drama.
- Is it worth buying compared to other budget 1x12s?
- In my experience the V30 alone pushes this into a different league versus unloaded budget boxes, so for tone-to-price it’s a very strong buy if the V30 voicing suits you.
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Review of BluGuitar Nanocab .
"A compact, thick-sounding 1x12 that mates beautifully with the Whiskey head and punches well above its size."
Review of 65 Amps The Whiskey 112 EXT
I spent several weeks living with the 65 Amps Whiskey 112 EXT on and offstage to see how a dedicated extension cab would sit in my rig. My goal was practical - pair it with a Whiskey-style head and also try it with other tube heads and pedals to judge tone, dynamics, and usability.
First Impressions
The Whiskey 112 EXT feels like a confident, purpose-built piece when you pick it up - solid Baltic birch construction, balanced weight, and a finish that says road-ready rather than fragile boutique. Plugging it into a Whiskey head immediately revealed a focused midrange and a low end that is tighter than I expected for a single 12, which made me want to crank into the amp and explore the dirty channel. Right out of the gate the Celestion-loaded cabinet had a singing top end without being brittle and the cabinet's depth gave the notes a satisfyingly big presence for such a compact footprint.
Design & Features
This is a semi-open 1x12 extension cabinet that 65 Amps built with finger-jointed Baltic birch - the construction is dense and utilitarian which contributes to the tight low end and durability. The cab ships with a Celestion G12H75 Creamback-style speaker, which tilts the voice toward a punchy low-mid and a warm, articulate top end that handles pushed-amp harmonics well. Connectors and basic wiring are straightforward and rock-solid, with dual speaker outs on the head side of the Whiskey family when used in combo setups - nothing fancy, but everything you need from an extension cab.
Build Quality & Protection
The Whiskey 112 EXT is built like a small road box - Baltic birch panels, good edge bonding, and a solid grille keep the speaker protected and the cabinet rigid when I shoved it into a crowded van. The tolex and corners showed only modest wear during my short stint with it, which is encouraging for a cab that expects gig use. Hardware - handles, grill, and jack plate - felt robust and not like the usual throwaway parts you sometimes see on lower-cost cabs.
Comfort & Portability
At roughly the size of a compact 1x12 and weighing in around the mid-40 pound range it is a one-person lift but not something I wanted to carry for long walks. The handle placement is sensible which made getting it in and out of my car easy, but if portability is your top priority there are lighter 1x12 options - the Whiskey trades a bit of moveability for sturdiness and tone. It fits well on stage and stacks predictably when I paired it with a head on a riser.
Tone & Response - Real-World Experience
What surprised me most was how much of the full-amp character this single 12 delivered - it thickened single-note lead lines, carried chordal rhythms with authority, and didn’t get lost in a full rehearsal mix. With a Whiskey-class head the low mids filled the space and the top end stayed musical even when the amp was driven; with other tube heads the cab still behaved, keeping a clear midrange and a controlled bottom that made EQing on the fly easier. It’s also pedal-friendly - overdrive and boost pedals layered well without the cab sounding muddy, and I liked how dynamic the response remained when I backed off my picking attack.
The Trade-Offs
This cabinet is not a full-size 2x12 or 4x12 substitute if you need massive physical low end or sheer SPL for arena work - it’s a focused 1x12 that prioritizes midrange presence. The weight is reasonable for the build, but not light, which may be awkward for players who need the lightest gig bag possible. Finally, because it leans into a Creamback-ish voice, players chasing scooped modern metal tones might prefer a different speaker or a 2x12 setup.
Final Verdict
For me the Whiskey 112 EXT is a compact, no-nonsense extension cab that does exactly what it should - tighten up the low end, center the midrange, and present harmonically rich top end that pairs exceptionally well with the Whiskey head and many other tube amps. I recommend it to players who want a roadworthy 1x12 with character and enough girth to replace a second cab in smaller venues - it is not the lightest option, but it is one of the most musically satisfying 1x12s I’ve used in this price/quality space.
by Musicngear Verified Community ReviewsHelpful Tips & Answers
- What speaker is fitted in the Whiskey 112 EXT?
- From my time with it I can confirm the cab comes loaded with a Celestion G12H75-style speaker that gives the cab its punchy, slightly Creamback-flavored voice.
- What impedance and power handling should I expect?
- My sample was voiced around a 16 ohm speaker and the G12H75 is a higher-power 12 that handles significantly more wattage than small boutique drivers, so it's comfortable behind mid-watt tube heads.
- Is this cabinet good for gigging with a Whiskey head?
- Yes - it matched the head very naturally on stage and helped the amp’s midrange cut through while staying tight at the bottom.
- Can I use this extension with other heads?
- I tried it with several tube heads and it behaved well - the voicing is musical and translates across different amp flavors, though pairing with very scooped or heavily eq'd heads may need compensating EQ.
- How heavy and large is the cab?
- The cab is compact but solid; it’s a one-person lift and felt substantial - plan for roughly mid-40 pounds when transporting it.
- Is the cab roadworthy for frequent gigs?
- Yes - construction and hardware held up during my gig sessions and it showed no worrying flex or rattles even when stacked or moved often.