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"Plays great ,sounds great,beats..."
Plays great ,sounds great,beats anything I've ever used
Reviewed Sep 29, 2023
3 reasons why people want to buy it
Actual feedback of people who want to buy Maton EMTE Tommy Emmanuel Mini
- "I heard it is really good for its price "A 18-24 y.o. male fan of Robert Johnson from France
- "It speaks for itself."A 18-24 y.o. male fan of John Lee Hooker from Bosnia and Herzegovina
- "I heard it's a gold!"A 18-24 y.o. male fan of Damian Marley from Bosnia and Herzegovina
People that took the "IS IT GOOD FOR ME?" test said they wanted to buy Maton EMTE Tommy Emmanuel Mini for the above 3 reasons. Their opinion is based on their own independent research and should help in your own purchase decision.
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"A compact parlor with surprisingly full low-end and a crisp, balanced acoustic voice."
Review of Framus Legacy Series FP14 SV Parlor
I picked up the Framus Legacy FP14 SV parlor because I wanted a small-bodied acoustic that didn’t sound thin when I fingerpicked or strummed casually at home. I come from playing larger dreadnoughts and grand auditoriums, so I approached this review looking to see whether a compact parlor could deliver usable tone, robust construction, and comfortable playability for practice, recording and small-room gigs.
First Impressions
Right out of the case the FP14 SV feels solid and well put together - the finish and binding work give it a classy, vintage vibe without feeling fussy. The Sitka spruce top looks tight-grained and the laminated mahogany back and sides have a warm sheen that promised a woody voice; the headstock and rosewood appointments also felt well aligned and precise. In my brief first session I noticed the low-mid presence that smaller parlors often lack - it doesn’t try to be a mini-dreadnought, but it carries more body than its size suggests.
Design & Features
The FP14 SV is a classic parlor - 628 mm (24.75") scale, a compact 360 mm body width at its widest point, and a shallow rib height that makes it comfortable to hold for long stretches. The top on my example is a solid A-grade Sitka spruce with standard scalloped X-bracing and the back and sides are laminated mahogany, which explains the warm midrange but also the guitar’s structural stability and price-positioning. The neck is mahogany with a C-profile and a satin finish, Indian rosewood fretboard and bridge, bone nut (45 mm) and a compensated bone saddle; tuners are steel-post, 15:1 ratio - everything feels appointed to a mid-range, well-made instrument standard.
Build Quality & Protection
Build quality on the FP14 SV impressed me - seams and bindings were clean, the three-layer top binding and simple body-bound edges were tidy, and the fretwork was well-dressed with no sharp ends. The satin neck surface is nicely finished for a natural hand-feel but the body’s high-polish vintage tint finish still looks premium onstage or in photos. I didn’t receive a hard case with this instrument - the packaging and included tools were minimal, so I’d budget for a good case if you plan to gig or travel.
Playability & Usability
I found the 45 mm nut width and 52.5 mm at the 12th-fret spacing comfortable for both fingerstyle and light flatpicking; it’s narrower than some modern acoustics but invites fast fretting and compact hand positions. The C-profile neck is neither too chunky nor too thin, and the action out of the box was playable with only minor saddle adjustment needed to suit my preferred setup. With 18 medium frets and a 16" fretboard radius, chord shapes and partial-barres felt familiar and effortless, so I could easily transition from recording riffs to comping.
Sound & Real-World Experience
Where the FP14 SV surprised me most was in its tonal balance - plucking near the bridge yields a clear, bell-like treble while middle and low-mids have a pleasant roundness that keeps fingerstyle parts from disappearing. When I strummed harder the guitar didn’t choke; it projects well for a parlor and records nicely with a single condenser mic about 8-12" from the 12th fret, delivering a focused, intimate tone that sits well in mixes. It won’t replace a full-bodied jumbo for big band strums, but for singer-songwriter work, close-mic recording and small room gigs it’s a very musical, characterful instrument.
The Trade-Offs
You give up some scooped high-end shimmer and the earth-shaking low-end of larger-bodied guitars in exchange for portability, immediacy and a focused midrange - and in my experience that’s an intentional trade that works for many players. Because the back and sides are laminated mahogany the sustain and overtone complexity aren’t as rich as an all-solid mahogany instrument, but the laminated construction increases durability and keeps the price reasonable. Also, if you need onboard electronics check the exact SKU carefully - the FP14 SV model I tested is an acoustic-only instrument unless you order a specifically equipped “E” variant.
Final Verdict
The Framus Legacy FP14 SV parlor is a thoughtfully built compact acoustic that punches above its size - it offers solid Sitka spruce top tone, a warm mahogany character, comfortable playability and tidy construction. I’d recommend it to fingerstyle players, vocal-accompanists, and anyone who wants a travel-friendly parlor voice with more low-mid presence than many small guitars; if you need a roaring stage acoustic you’ll want something larger, but for intimate performance and recording this guitar is a strong contender.
by Musicngear Verified Community ReviewsHelpful Tips & Answers
- Does this model come with electronics (preamp/pickup)?
- On the FP14 SV I tested there were no onboard electronics - it’s a purely acoustic model unless you specifically order an "E" or ME variant that lists a Fishman system.
- What woods are used for top, back and sides?
- The top is a solid A-grade Sitka spruce while the back and sides are laminated mahogany, which gives it warmth and stability.
- How is the neck profile and nut width for fingerstyle playing?
- The mahogany neck has a comfortable C-profile and the 45 mm nut width felt great for fingerpicking and compact chord voicings.
- Is a case included with the guitar?
- My example did not include a hard case - the manufacturer recommends a RockBag or similar case if you plan to transport the instrument frequently.
- How does it record acoustically - is it easy to capture a usable DI sound?
- Yes - positioned with a single condenser near the 12th fret it records with a focused, intimate tone that sits well in mixes without excessive EQ.
- Are the tuners stable and of good quality?
- The steel-post 15:1 tuners held tuning reliably during my sessions and provided smooth, precise turns.
- Would you recommend it for travel or busking?
- Yes - its compact size and laminated back/sides make it a good travel guitar for street or park sessions, but I’d still use a hard case for air travel.

"Very good guitar plays nice and not to..."
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"Smart in every sense. Small, but true...."
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