Marcus Miller presents 5-String P-Basses P7 5 New Gen Antique White. If you are on the lookout for electric basses or guitars and basses in general, then this may be a fitting choice. Make sure to check out the reviews but first of all press the red button below to see if it fits your music taste.
Chris Roditis took the WHATISGOODFORME test and scored a 88% match with P7 5 New Gen Antique White
88% match
Chris likes Indie Rock, Synthpop and New Wave
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2 reviews from our community

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  • AprilTran reviewed and rated this gear with 5 out 5 stars

    "This is the best, the price is..."

    5

    This is the best, the price is affordable and you just fall in love

  • CyrusCraw reviewed and rated this gear with 5 out 5 stars

    "It's great! It is more than I could..."

    5

    It's great! It is more than I could hope for.

3 reasons why people want to buy it

Actual feedback of people who want to buy Marcus Miller P7 5 New Gen Antique White
  • "It' looks nice to me"
    A 17 y.o. or younger male fan of Jimmy Page from Bulgaria
  • "As an upcoming artist musician/actor i think it would go really well along this path to me being able to share my music with the world"
    A 18-24 y.o. male fan of M83 from Romania
  • "Sounds interesting"
    A 18-24 y.o. male fan of Buddy Guy from Georgia

People that took the "IS IT GOOD FOR ME?" test said they wanted to buy Marcus Miller P7 5 New Gen Antique White for the above 3 reasons. Their opinion is based on their own independent research and should help in your own purchase decision.
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  • MusicNGear reviewed and rated Sandberg California II VM 5 MN BKB with 4.6 out 5 stars

    "A versatile, high-quality 5-string with classic P-bridge voice and a modern, punchy edge."

    4.6

    Review of Sandberg California II VM 5 MN BKB

    I spent several weeks playing the Sandberg California II VM 5 MN BKB across rehearsals, small club gigs, and home tracking sessions, and I came away impressed by how seamlessly it covers both vintage P-bass territory and modern punchy tones. My use case is a mix of rock, funk, and studio work where I need a 5-string that sits well in a dense mix but still feels alive under the fingers - this bass landed squarely in that space for me. The Blackburst matte finish and maple board give it a bright presence visually and tonally, while the pickup pair and 2-band active/passive electronics deliver a wide palette of usable tones. I also appreciated that it ships with a gigbag and the build felt markedly better than many instruments in its class.

    First Impressions

    The first time I picked the California II VM 5 I noticed the neck profile - a comfortable, fairly slim maple neck that made five-string stretches and fast runs easy without feeling cramped. The instrument felt solid and well-balanced on a strap, and the matte Blackburst finish looked restrained and professional under stage lights. Plugged in, the split P-style neck pickup offered a familiar mid-focused warmth while the bridge humbucker delivered tight low-end definition and bite when pushed - the onboard 2-band active/passive preamp gave me quick access to both classic passive tones and more modern, sculpted sounds when I needed them. Overall the package gave the impression of a German-made instrument with attention to setup and hardware quality right out of the gigbag.

    Design & Features

    Sandberg went with a straightforward, practical layout - ash body, bolt-on maple neck, maple fretboard, and a black pickguard that keeps the aesthetic clean and functional. The control layout is simple: master volume, balance, and treble and bass controls for the two-band active/passive EQ - that simplicity is a feature for me because it makes onstage tweaks fast and predictable. The pickups are Sandberg's own Precision-style split coil in the neck and a Sandberg humbucker at the bridge, which combine to deliver everything from round, P-esque thump to a tight, modern bridge tone with good string-to-string clarity. Hardware and tuners are lightweight Sandberg units that hold tune well and help keep overall instrument weight reasonable for extended playing sessions.

    Build Quality & Protection

    The construction feels sturdy and refined - the bolt-on maple neck is neatly fitted, fretwork was clean on my test instrument, and there were no sharp fret ends or finish drips to complain about. Sandberg's finish work on the matte Blackburst is matte but well-sanded, and the chrome hardware complements the look while staying functional. The bass shipped with a gigbag that offers basic protection for transport; it's not a hard case but is more than adequate for club work and local travel. Overall, I felt like I was handling a German-made instrument with consistent QC rather than a mass-budget instrument with corners cut.

    Playability & Usability

    Playability was a strong point - the 34" scale and 45 mm nut width feel familiar and comfortable for a 5-string player, and the 14" fretboard radius makes fretting and string-bending predictable without sharpness. I found fast thumb position work and slap playing easy to execute; the setup out of the bag had sensible action and intonation so I could play right away. The balance is good: it doesn't neck-dive and remains comfortable standing or sitting for long practice sessions. The switchable active/passive capability is especially handy when you need passive simplicity or active punch for cuts in a mix.

    Sound & Electronics

    Tonally the California II VM 5 is flexible - in passive mode the split-coil neck pickup gives classic P warmth with strong mid presence, while the bridge humbucker tightens the low end and adds growl when needed. Engaging the Sandberg 2-band EQ opens up a noticeable difference: the active treble brings clarity and string definition without becoming brittle, and the bass control can be used to fatten the low end for recordings or tighten it up for punchy live tones. I used it clean through a DI and through an amp with overdrive, and it sat well in both scenarios - it cuts enough to be heard but keeps a natural, woody character when rolled back a bit.

    Real-World Experience

    I took the bass into rehearsal with a four-piece band and then used it for a recording session; in both cases it behaved reliably. For low B parts the instrument retains clarity and avoids the muddy sludge you sometimes hear from weaker bridges or poorly sculpted bodies. When comping in the pocket the P-split gave the right amount of rounding to not poke out of the drums, but a flip of the balance and a touch of treble gave me a biting slap tone that cut through guitar-heavy charts. I also appreciated that the electronic switching between active and passive felt immediate and useful rather than a gimmick.

    The Trade-Offs

    No instrument is perfect - the California II VM 5 is a bit heavier than ultra-light boutique 5-strings, which may matter for very long standing sets. The matte Blackburst finish is handsome but will show wear differently than a gloss finish, so if you prefer an instrument that hides dings better you may prefer another finish. Also, while the onboard 2-band EQ covers a lot of ground, players who want deep parametric shaping or mid control may want to reach for pedals or an outboard EQ. These are relatively minor for me given the quality and tonal flexibility on offer, but worth calling out depending on your priorities.

    Final Verdict

    After extended playing I can say the Sandberg California II VM 5 MN BKB is a strong choice for players who need a reliable, versatile 5-string that covers classic P-bass sounds and modern, punchy tones without fuss. It feels well-built, plays smoothly, and the active/passive electronics are genuinely useful rather than decorative - that combination makes it a great option for gigging and studio players alike. If you want a German-made 5-string that will work across styles and deliver dependable performance, this one should be on your short list.

    AspectScore (out of 5)
    Build Quality4.8
    Design & Features4.5
    Playability4.6
    Sound Quality4.7
    Electronics & Controls4.5
    Value for Money4.3
    Overall Rating4.6

    Helpful Tips & Answers

    What woods and scale does this model use?
    From my experience with the MN BKB version it uses an ash body with a bolt-on maple neck and maple fretboard on a 34" (864 mm) scale, which gives it a bright, focused character.
    Does it include a case or gigbag?
    Yes - the instrument I tested came with a Sandberg gigbag, which is handy for local travel and gigging.
    How does the active/passive switching affect tone?
    The active 2-band EQ gives noticeably more presence and low-end control when engaged, while passive mode yields that classic P warmth and simplicity I often reach for in raw mixes.
    Is the neck suitable for slap and fast playing?
    I found the slim maple neck and 14" radius very playable for slap, thumb-position work, and faster lines - nothing felt restrictive.
    How is tuning stability and hardware quality?
    The Sandberg lightweight tuners held tuning well during rehearsals and the chrome hardware felt solid and reliable.
    Would you recommend it for studio tracking?
    Yes - its tonal balance and clarity, especially on the low B, make it a dependable studio instrument for modern and vintage styles.
    Any setup or modification suggestions out of the box?
    Mine arrived well set up, but I would consider a light fret polish and string choice to tailor feel and tone - otherwise the stock setup was gig-ready.

    by Musicngear Verified Community Reviews
  • MusicNGear reviewed and rated Harley Benton PJ-5 HTR Deluxe Series with 4.1 out 5 stars

    "Big, flexible 5-string tone at an exceptionally low price."

    4.1

    Review of Harley Benton PJ-5 HTR Deluxe Series

    I tested the Harley Benton PJ-5 HTR Deluxe Series as my go-to budget 5-string for rehearsals and small gigs, looking for a player-friendly instrument that covers P and J territory without breaking the bank. My goal was straightforward - a reliable long-scale bass with a beefy low B and usable tones straight out of the case.

    First Impressions

    The first thing that hits you is the finish - the hot rod trans red is glossy and eye-catching, and the instrument looks more expensive than it is. Weight felt balanced for a 5-string - not featherlight but not neck-heavy - and the Modern C maple neck invited playing from the first few minutes, which made me optimistic before I even plugged it in.

    Design & Features

    The PJ-5 HTR is built as a classic PJ-style bass with a poplar body, bolt-on maple neck, and a 20-fret roseacer fingerboard on a long 864 mm scale - the specs make it a true long-scale 5-string. Electronics are passive with a split-coil P in the middle and a single-coil J at the bridge, controlled by two volume knobs and a single tone knob, and it ships with D'Addario EXL .045 - .130 strings. Hardware is chrome with classic PJ machine heads and a hot rod trans red high gloss finish that really pops under stage lights.

    Build Quality & Protection

    The build felt honest for the price - finish, fretwork, and frets were good enough that I didn’t fear buzzing at normal action heights, though the nut and setup needed a small tweak to suit my technique. There are signs this is a budget instrument - the hardware and electronics are functional rather than premium - but overall the construction is solid and survived being carted between practice rooms without drama.

    Playability & Usability

    The Modern C neck and 45 mm nut width strike a comfortable balance for my fretting hand - it is roomy enough for wide fingerings but not so chunky that fast runs feel clumsy. The 864 mm scale gives the low B good tension and clarity, which matters to me when I play drop tunings or heavier parts, and the 20-fret layout keeps the upper register accessible without feeling cramped.

    Sound & Electronics

    Plugged straight in, the PJ-5 delivers typical PJ-family versatility - the P pickup gives that round, chesty low-end while the J bridge adds top-end snap, and blending them yields a scooped, modern tone that sits well in a band mix. Fingerstyle, pick attack, and even a bit of slap all worked fine - the P keeps the low end full while the J helps define strings at higher frequencies, so I found it easy to get usable tones without heavy EQ surgery.

    Hardware & Setup

    The tuners and bridge do their job but don’t feel boutique - tuning stability was acceptable after I performed a basic setup and adjusted intonation, and the factory D'Addario set was a convenient, playable choice. Expect that most of these will benefit from a quick setup out of the box - truss rod, saddle heights, and intonation tuning will bring the instrument to its best behavior.

    Real-World Experience

    I used the PJ-5 HTR across rehearsals and a couple of low-key live shows, and it held up sonically and mechanically for the kind of gig work this price bracket targets. In a full band mix the low B stayed audible and clean, and the J pickup gave enough mid/top presence to cut through on lines where I needed articulation, so it behaved like a dependable utility 5-string rather than a tone-shaping instrument for studio work.

    The Trade-Offs

    You get a lot for the price, but there are trade-offs - electronics and hardware are basic, and you should plan on doing a setup to get the best out of it. Also, like many instruments in this segment, finish and weight consistency can vary between individual units, so quality control is not at boutique levels - buy with that expectation and budget a little time for adjustments.

    Final Verdict

    The Harley Benton PJ-5 HTR Deluxe Series is a fantastic value if you need a playable, sonically flexible 5-string without spending much - I would confidently recommend it to beginners, gigging players on a budget, or as a sturdy backup instrument. If you are after boutique pickups, premium hardware, or out-of-the-box perfection, you will need to upgrade components, but for immediate playability and stage-ready tone after a simple setup, it punches well above its price.

    AspectScore (out of 5)
    Build Quality4
    Playability4.2
    Sound Quality4.1
    Hardware3.8
    Finish & Looks4
    Value for Money4.7
    Overall Rating4.1

    Helpful Tips & Answers

    Is the low B string tight enough for heavy styles?
    Yes - the long 864 mm scale gives the low B good tension and definition, so it stayed full and punchy for heavier parts after I installed the factory strings and did a quick setup.
    Does it need a professional setup out of the box?
    In my experience a basic setup - truss rod, saddle height, and intonation - noticeably improved playability, so I recommend planning for one to get the best from the instrument.
    Are the pickups usable for live gigging without swapping them?
    Absolutely - the PJ combination is versatile and I got gig-ready tones for fingerstyle, pick, and funk without needing pickup swaps, although a pickup upgrade will add character in the studio.
    How comfortable is the neck for long practice sessions?
    I found the Modern C profile comfortable for extended playing - it is not overly thick, and the nut width balances thumb position and finger stretches well for my hands.
    What wood is the body made from?
    The official specification lists a poplar body for this model, which gives a balanced, slightly warm resonance that suits the PJ tonal palette.

    by Musicngear Verified Community Reviews
  • An anonymous user reviewed and rated Harley Benton Enhanced MP-5EB Creme with 5 out 5 stars

    "Great overall playing qualities ..great..."

    5

    Review of Harley Benton Enhanced MP-5EB Creme Great overall playing qualities ..great choice of woods ..sturdy attractive hardware ...excellent tone options ...19mm string spacing ...superb value!

  • An anonymous user reviewed and rated Harley Benton PJ-5 HTR Deluxe Series with 5 out 5 stars

    "Oll"

    5

    Review of Harley Benton PJ-5 HTR Deluxe Series Oll

  • An anonymous user reviewed and rated Harley Benton PJ-5 HTR Deluxe Series with 4 out 5 stars

    "Just do"

    4

    Review of Harley Benton PJ-5 HTR Deluxe Series Just do