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2 reviews from our community
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"Great, came very fast which was nice...."
Great, came very fast which was nice. Thanks for the great service!

"Certainly worth buying "
Certainly worth buying
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- "It speaks for itself."A 18-24 y.o. male fan of John Lee Hooker from Bosnia and Herzegovina
- "I heard it's a gold!"A 18-24 y.o. male fan of Damian Marley from Bosnia and Herzegovina
- "All of it"A 17 y.o. or younger male fan of Bon Jovi from Romania
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"Lightweight, kid-friendly piano accordion that gets beginners playing quickly."
Review of Startone Kids Accordion Red MKII
I tested the Startone Kids Accordion Red MKII over several practice sessions and a weekend of informal teaching, aiming to judge how well it serves new players and small hands. I came to it as someone who plays full-size accordions and teaches beginners, so I was interested in whether this scaled-down MKII could actually accelerate learning without feeling like a toy. The compact dimensions and low weight immediately suggested it was designed for children and classroom use rather than stage performance, and I focused my assessment on ergonomics, tone, and durability for that use case.
First Impressions
Out of the box the Red MKII strikes you with its bright lacquer and child-friendly sizing - it feels approachable and non-intimidating. The unit I handled included a soft gig bag and shoulder strap and the overall packaging was aimed at quick setup, which is welcome when fitting instruments for small players. At roughly 3.1 kg and measuring about 320 x 130 x 290 mm, it’s immediately obvious this is a purpose-built beginner instrument rather than a full professional piano accordion.
Design & Features
The Red MKII is a simplified piano accordion: 22 treble keys and 8 bass buttons give a compact but useful layout for basic melodies and left-hand accompaniment patterns. It has two reed ranks on both the treble and bass sides, which provides a fuller sound than a single-rank toy and makes basic chord work sound pleasantly rounded. There are no registers or advanced features such as musette tuning or cassotto - this is intentional for the target user and keeps the instrument straightforward to learn on.
Build Quality & Protection
For a kids model the construction feels reasonably robust - seams and fittings were tidy on my sample and the bellows handled normal practice without obvious air leaks. The reedplates are listed as standard quality, and while you can hear the limitations compared with higher-end accordions, the build feels like it will stand up to classroom use and home practice. The included gig bag is lightweight and fine for storage and short transports, although I would recommend a harder case for regular travel or ensemble rehearsals.
Playability & Usability
The reduced size and 3.1 kg weight make the MKII very easy for children to manage; I had a 7-year-old student comfortably reaching most treble keys with one hand and operating basic bellows shapes within minutes. The bass side - with 8 buttons - covers simple bass-note and chord combinations that are perfect for learning coordination, and the action is forgiving enough for beginners while still offering a clean response. Strapping and ergonomics are sensible for small bodies, and setup is quick so lessons can start without wrestling the instrument into position.
Sound Quality
With two reed ranks on both sides the MKII produces a surprisingly warm and full sound for its size - louder and richer than single-rank toy accordions I’ve tried. Tone is best described as clear and bright with limited dynamic shading; it carries well for practice and small informal performances but lacks the tonal complexity and projection of larger professional instruments. For teaching melodies and basic accompaniment it’s perfectly serviceable, though advanced players will quickly notice the lack of nuance and stop-bandwidth compared to full-sized instruments.
Real-World Experience
I used the Red MKII through several lesson plans, and it consistently helped students focus on finger patterns and bellows technique without being physically overwhelming. In a home-practice environment it performed reliably, and the volume is sufficient for personal practice or a small family gathering. I did not test it in a loud ensemble setting, but based on its size and reeds I would not expect it to compete with amplified or full-size acoustic accordions on stage.
The Trade-Offs
The main compromises are predictable - limited dynamic range, a restricted bass palette with only 8 buttons, and the absence of registers or specialized tone features. If you need an instrument that will serve an advancing teenager or an adult who wants a full tonal palette, this model will feel limiting sooner rather than later. On the other hand, as an introductory instrument for young beginners it hits the sweet spot between playability, affordability, and durability.
Final Verdict
The Startone Kids Accordion Red MKII is an effective beginner instrument - lightweight, easy to handle, and capable of producing a pleasing acoustic sound for practice and early lessons. I’d recommend it to parents, schools, and teachers looking for a reliable starter accordion that keeps children motivated without the cost and complexity of a full-size instrument. It’s not a long-term instrument for serious advancing players, but for its intended audience it offers excellent value and sensible design choices.
by Musicngear Verified Community ReviewsHelpful Tips & Answers
- Is this accordion small enough for a 6-8 year old?
- Yes - in my experience the compact dimensions and light weight made it comfortable for a 6-8 year old to hold and play for short lessons.
- Does it come with a case or straps?
- It ships with a soft gig bag and shoulder strap, which is fine for storage and short trips, though I prefer a hard case for frequent travel.
- How many bass buttons and treble keys does it have?
- It has 8 bass buttons and 22 treble keys, which I found adequate for basic accompaniment and melodies taught to beginners.
- Is the tone good enough for performances?
- For small informal performances and classroom demos the tone is pleasant, but it won’t project or colour-match a professional accordion on stage.
- Will a beginner outgrow this quickly?
- If the student progresses quickly they may outgrow the limited bass options and simple reed voicing within a year or two, but it’s an excellent first step to build basics.
- How durable does it feel for classroom use?
- It feels reasonably sturdy for school and home use - seams and fittings held up during my sessions, though I recommend supervision during transport to avoid bumps.
- Are there any advanced features or registers?
- No - this model intentionally omits registers, musette, and cassotto features to keep the instrument simple and affordable.

"A compact, well-balanced German-made piano accordion that punches above its weight for students and gigging hobbyists."
Review of Weltmeister Achat 34/80/III/5/3 Black
I spent several weeks playing the Weltmeister Achat 34/80/III/5/3 Black across a mix of practice sessions, small rehearsals, and a couple of informal pub nights to see how it handled real-world use. From my perspective as a player who values clear treble response, manageable weight, and reliable accompaniment, the Achat positions itself as a smart mid-range choice that feels like a professional-built student instrument.
First Impressions
The first time I picked the Achat up I noticed how light it is for an 80-bass piano accordion - it sits comfortably on my lap and the straps felt substantial right away. Visually the finish on the black model is tasteful without being flashy, and the five treble registers plus three bass registers give you plenty of tonal variety out of the box.
Design & Features
Dimensionally the instrument is compact - roughly 412 x 192 mm with a 34-key treble (g to e''') and a full 80-button bass (G to d# in standard layout). Construction feels solid - the keytops have the standard 20 mm key width and the body shows the kind of factory finish I expect from a German workshop. Internally the treble comes with three reed ranks while the bass section is equipped with four reed ranks, giving a fuller bass palette when you engage different bass registers. Many dealer listings for this model also list an LMM 3/4 reed configuration on certain variants - in practice that translates to a slightly more colored, chorused treble when you select the fuller registers. It ships with leather-style straps and a hard case, which makes transport and storage straightforward.
Playability & Ergonomics
My day-to-day playing confirmed the Achat is very approachable - the treble action is neither stone-light nor heavy, which I like because it gives control for dynamics without tiring my fingers on long practice runs. The bass buttons are well-spaced and reasonably responsive; after a short warm-up I was able to play typical folk accompaniments and classical left-hand patterns without fumbling. At about 7.8-8.2 kg (roughly 17-18 lbs), it is lighter than many 80-bass instruments and I appreciated carrying it between rehearsal spaces.
Sound & Tone
Tonally the Achat leans toward a warm, rounded treble with good presence in the midrange - notes ring with clarity but there is a comfortable bloom at the top registers. The bass side is muscular enough to support band contexts and solo accompaniment, with the extra bass reed rank adding body when needed. It isn't a stadium-level power-house - if you play rock or need huge projection without amplification you will notice the limits - but plugged into a PA or miked properly it sits well in a mix.
Real-World Experience
I used the Achat for a few varied settings - a quiet duo rehearsal, an afternoon teaching session, and a short pub set - and it handled all three without surprises. In the rehearsal and teaching environments I appreciated the responsive dynamics for phrasing and articulation; during the pub set I relied on the fuller bass registers and the instrument kept the arrangement tight and supportive. The included hard case protected the instrument well between venues, and the straps stayed comfortable for sets of 30-45 minutes.
The Trade-Offs
There are a few compromises to be aware of - the Achat's finish and mechanical tolerances are very good for the price, but they don't match ultra-high-end hand-finished Italian or boutique models in terms of polish and absolute silent mechanics. A couple of the register switches felt slightly less crisp than premium units and you can hear a bit more reed sympathetics when using the thickest treble settings. Finally, while the acoustic volume is perfectly fine for most small-to-medium venues, players who require concert-level unamplified projection will want a larger or more specialized model.
Final Verdict
All told, the Weltmeister Achat 34/80/III/5/3 Black is an excellent all-rounder - especially for students, teachers, and hobbyists who want a German-made instrument with real tonal depth and manageable weight. I would recommend it to anyone who needs a reliable, playable 80-bass piano accordion that is ready for lessons, rehearsals, and small gigs - just be mindful of its modest limits in unamplified large-venue projection and absolute boutique-level refinement.
by Musicngear Verified Community ReviewsHelpful Tips & Answers
- Is the Achat light enough for long practice sessions?
- Yes - at just under 8.2 kg it is noticeably lighter than many 80-bass models, so I was comfortable wearing it for 45-minute practice blocks without significant shoulder fatigue.
- How does the treble action feel for fast passages?
- I found the treble action balanced - responsive enough for runs and ornamentation, with enough resistance to control dynamics and articulation.
- Are the bass buttons spaced well for classical left-hand technique?
- Yes - the 80-button layout and spacing are standard and felt natural for both classical patterns and folk accompaniments after a short adjustment period.
- Does it come with a case and straps?
- Yes - mine arrived with substantial straps and a hard case, which made transport and storage straightforward.
- Is this suitable for recording or do I need additional miking?
- I recorded it in small-room setups and preferred using a microphone or two to capture the full bass body and treble detail; for studio work I would mic it rather than rely on room capture alone.
- How durable does it feel for gigging?
- It feels robust - the exterior finish and fittings have held up well through repeated transport and small venue use in my time with it.

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"I don't"
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"Excellent instrument"
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