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2 reviews from our community
Please note that the following reviews have not yet been verified for authenticity

"Good all around, not anything to..."
Good all around, not anything to complain about in particular

"It is great, I really like it."
It is great, I really like it.
3 reasons why people want to buy it
Actual feedback of people who want to buy Göldo Control Plate J-Style BK
- "It' looks nice to me"A 17 y.o. or younger male fan of Jimmy Page from Bulgaria
- "As an upcoming artist musician/actor i think it would go really well along this path to me being able to share my music with the world"A 18-24 y.o. male fan of M83 from Romania
- "Sounds interesting"A 18-24 y.o. male fan of Buddy Guy from Georgia
People that took the "IS IT GOOD FOR ME?" test said they wanted to buy Göldo Control Plate J-Style BK for the above 3 reasons. Their opinion is based on their own independent research and should help in your own purchase decision.
Still undecided? Take the "IS IT GOOD FOR ME?" test
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"A compact, metal riser that makes back-row pedals actually playable - simple, solid, and very affordable."
Review of Harley Benton SpaceShip Pedal Riser
I needed a straightforward way to access the second row of pedals on my pedalboard without rebuilding the whole layout, and the SpaceShip Pedal Riser from Harley Benton promised exactly that - a small metal platform to bring those top-row stompboxes within reach. I tested it across rehearsals and a few short gigs to see how it handled weight, cable routing, and real footwork under stage conditions.
First Impressions
Out of the packet the riser felt heavier and more substantial than I expected for a small accessory - it’s clearly aluminium and has a dense, utilitarian feel that communicates durability. The supplied hook-and-loop tape was already attached, so initial mounting onto my SpaceShip board was quick and fuss-free, and visually it matched the black, carpeted aesthetic of my board rather than sticking out like an afterthought.
Design & Features
The riser is a simple machined plate with flanges for mounting and a shallow cable pass-through - pedal plate dimensions measure about 70 by 155 mm, while the full footprint is roughly 110 by 155 by 28 mm, so it’s compact but not tiny. It ships with hook-and-loop fastening pre-applied but also supports being screwed down if you prefer more permanent mounting - that modularity is useful because I swapped them between boards and also tried a semi-fixed installation for a one-off gig.
Build Quality & Protection
Build quality impressed me for the price - the aluminium construction is rigid and doesn’t flex under firm stomping, which gave me confidence with heavier pedals or aggressive footwork. There are no fragile plastics or flimsy fittings, but the mounting flanges do sit outwards which increases the effective space the riser uses on the deck - something to mind if you’re trying to cram everything together.
Installation & Cable Management
Mounting is straightforward - hook-and-loop tape makes it fast to move around during setup, and when I needed absolute security I used small screws through the flanges to lock the riser in place. The cable routing under the riser is tidy and practical for patch cables, though the opening could be a touch wider for thicker, stacked power lines; I routed my flat patch cable runs neatly beneath and only had to rearrange one power brick to keep everything flat.
Real-World Experience
On the floor it does exactly what it promises - pedals placed on the riser are far more comfortable to engage with my heel while standing, and I found fewer missed stomps during quick changes. I tested one riser with an EQ and delay on the top row and it stayed rock-steady underfoot, but when I used two risers side-by-side for larger pedals the outward-facing flanges prevented me from bringing them as close together as I’d like, which slightly reduced usable pedalboard real estate.
The Trade-Offs
The riser’s solidity is a trade-off - it’s heavier than cheap plastic alternatives, which adds weight if you use many of them on a large board; that said, I’d rather a few extra grams for the peace of mind of a metal part holding my pedals. Another compromise is space - the mounting flanges can get in the way when you want to pack pedals tightly, so budget a little extra spacing when planning your layout.
Final Verdict
For what it is - a simple, well-made pedalboard riser - the SpaceShip Pedal Riser delivers real utility at a very modest price, and I found it to be one of those small upgrades that meaningfully improves pedalboard ergonomics. I’d recommend it to players who want a rugged, no-nonsense riser to make a back-row of pedals usable, while those obsessing over every inch of space or who need the absolute lightest solution may want to consider slimmer alternatives.
by Musicngear Verified Community ReviewsHelpful Tips & Answers
- Will this fit on any SpaceShip or similar slatted pedalboard?
- Yes - I mounted it on my SpaceShip board without modification, and the flanges sit nicely on the slats; I could also fix it with screws for a permanent fit.
- Can two pedals sit side-by-side on the riser?
- For compact pedals like MXR or Boss-format stomps, two can fit side-by-side on the riser plate, but larger stompboxes need two risers or careful placement.
- Is it stable under heavy footwork - will it wobble?
- In my use it was stable and rigid - the aluminium construction handles firm stomps without noticeable flexing or wobble.
- How easy is it to move the riser around during setup?
- Very easy - the included hook-and-loop tape makes temporary placement quick, and I moved mine several times between rehearsals with no fuss.
- Can I run patch cables and power under the riser?
- Yes - the riser allows tidy cable routing underneath, though very chunky power bricks may need to be positioned carefully to clear the cavity.
- Does it add a lot of weight to my rig?
- It’s heavier than thin plastic risers, so if you use several you’ll notice the added mass, but I preferred the sturdiness it brings over minimal weight savings.
- Are there any special tools needed to mount it permanently?
- No special tools - small screws and a basic screwdriver are all that’s needed if you choose to screw it down; otherwise the hook-and-loop is ready to use out of the box.

"Bold, thin guitar body decal that customizes your instrument without commitment."
Review of Jockomo JG Wolf Sticker
I wanted a way to give a beaten-in Strat and a plain acoustic a little personality without committing to paint or permanent inlay work, so I tried the Jockomo JG Wolf Sticker. In practice it worked as a quick visual upgrade - subtle from afar, detailed up close, and easy enough to apply that I didn't dread the process or worry about long-term damage.
First Impressions
The sticker arrived on a small backing card with a single sheet showing the wolf artwork - the print looked sharp and the colors popped under studio lighting. Right away I noticed how incredibly thin the material was; when I handled it I could tell this was not a cheap vinyl blob but something meant to sit flat and unobtrusive on a guitar top. The included instruction sheet gave sensible placement tips, which I appreciated since I was planning to fit it around my pickguard and bridge area.
Design & Features
The JG Wolf motif is printed with a shell-like sheen that mimics mother-of-pearl inlay rather than a flat sticker look, which is the product's main selling point for me. The sticker is made from PET (polyethylene terephthalate) and measures roughly 89 x 76 mm, with a reported thickness of only 0.07 mm - in real use it felt nearly featherlight, laying flat against lacquered and satin finishes. Because it is so thin it doesn't introduce a raised lip that catches my picking hand, and the finish is glossy without being slick under my palm.
Application & Durability
Applying the sticker was straightforward: I cleaned the area, positioned the decal using the instruction sheet as a guide, and smoothed it down with a microfiber. The PET laminate adhered well to both nitro and modern polyurethane finishes - I didn't see bubbling or lifting after a few days of playing and light transport. As promised, it is removable without leaving obvious adhesive residue when peeled off slowly, though I did take my time and used a little isopropyl on the edge afterward to remove a hairline shadow on one guitar with very aged nitro finish.
Real-World Experience
I gigged with the sticker applied over a handful of short rehearsals and a small club run, and it withstood pick contact, strap rub, and light keyboard stands tossed on top of the amp case. On my acoustic the sticker visually hid a couple of finish imperfections and made the instrument feel a touch more personal, which I liked as a stage prop. It never interfered with playing - no extra friction, and no sense that my hand position needed to change. Over the two weeks I kept it on, there were no obvious signs of edge lifting or color fade.
The Trade-Offs
There are a few compromises to accept: the sticker is decorative only - it does not substitute for real shell inlay and will look "sticker-ish" to someone scrutinizing the finish up close. If you are planning to frequently remove and reapply it, expect to take care around older nitro finishes since variations in lacquer age can produce faint shadows after long-term application. Also, the single-sheet supply means you get one focal graphic rather than a set of smaller accents, so it is best for body decoration rather than fretboard inlays unless you buy more pieces.
Final Verdict
As a quick, reversible way to add character to a guitar, the Jockomo JG Wolf Sticker delivers exactly what it promises: thin, well-printed, and practically unobtrusive on the hand. I recommend it to players who want a visual update without surgery - collectors who insist on original finishes should be cautious, but for working players, students, and gigging musicians it is a low-risk way to personalize an instrument. For the price I paid it strikes a good balance between quality and convenience.
by Musicngear Verified Community ReviewsHelpful Tips & Answers
- Will this sticker damage an old nitro finish?
- In my experience it didn't gouge or crack finishes, but on very aged nitro I saw a faint shadow after a prolonged period, so I recommend testing a hidden area first and removing slowly if needed.
- Is the sticker noticeable while I play - will my hand catch on it?
- No - it is very thin and lies flat so I didn't notice any catching or interference with picking or strumming during normal playing.
- Can I stick this on an acoustic top without vibrations being affected?
- Yes - I put it on an acoustic top and didn't detect any change to resonance in practical playing, though the sticker is decorative and not intended to alter tone.
- How easy is removal and does it leave residue?
- Removal was straightforward and clean when I peeled it slowly; I wiped the spot with a little isopropyl to erase a faint shadow on one instrument and had no sticky residue left behind.
- Will the sticker cover existing dot inlays on the body?
- Yes - the size and print are large enough to cover small body dots and hide light scratches, making it useful for cosmetic touch-ups.
- Is the printing convincing as a shell or inlay?
- The print has a shell-like sheen that looks convincing from a normal playing distance - under close inspection you can tell it's a decal, but it still reads very nicely on stage.
- Does it work on matte or satin finishes?
- I applied it to both glossy and satin finishes and it adhered well to both, though satin tended to hide any edge shadow slightly better.

"classic, historic and gibson!"
Review of Gibson PRTR-120 Bell classic, historic and gibson!


