Eminence presents Loudspeakers for Guitar/Bass Use Cannabis Rex 10" Speak B-Stock. If you are on the lookout for pa speaker components, pa speakers or pa equipment in general, then this may be a fitting choice. Make sure to check out the reviews but first of all press the red button below to see if it fits your music taste.
Chris Roditis took the WHATISGOODFORME test and scored a 88% match with Cannabis Rex 10
88% match
Chris likes Indie Rock, Synthpop and New Wave
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2 reviews from our community

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  • OliviaCardona reviewed and rated this gear with 4 out 5 stars

    "Great, came very fast which was nice...."

    4

    Great, came very fast which was nice. Thanks for the great service!

  • TylerCumm reviewed and rated this gear with 4 out 5 stars

    "No complaints. I haven’t had any..."

    4

    No complaints. I haven’t had any trouble with it.

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  • MusicNGear reviewed and rated Eminence Legend BP 122 A with 4.2 out 5 stars

    "A warm, bass-forward 12-inch driver that delivers surprisingly deep, musical low end for small sealed and pro-audio enclosures."

    4.2

    Review of Eminence Legend BP 122 A

    I spend a lot of time swapping drivers into small bass cabs and compact PA enclosures, so when I had the Legend BP 122 A on hand I wanted to see whether a 12-inch Eminence could give me tight low-end feel without sounding woolly or too colored. My use case was a mix of rehearsal, small-venue gigging and studio DI/close-mic tests, and I came away impressed by how much clean low-frequency content it produces for its size.

    First Impressions

    The BP 122 felt solid right out of the box - the basket, cone and surround all have that purposeful, no-frills Eminence look that says reliability. I immediately noticed the relatively low Fs and the taut cone motion when I ran a few low sine sweeps - it moves more air and behaves more like a small sub than a typical midbass speaker. Mounting it in a compact sealed cabinet and then in a lightly ported 12-liter box showed two different but both-useful personalities: tighter and punchier in sealed, slightly fuller with a ported tune. Build details like the 2-inch voice coil and substantial ferrite magnet translate to confidence when pushing it at rehearsal levels.

    Design & Features

    The BP 122 is a 12-inch ferrite-magnet driver with an 8-ohm nominal impedance, a quoted sensitivity of about 94.1 dB and program power of 500 W / 250 W continuous, which gives it respectable headroom for small rigs. Eminence’s spec sheet lists an Fs around 35 Hz and a usable frequency range down to the mid-30s hertz, so the driver is built for lower-frequency work rather than top-end sparkle. The basket and cone construction feel production-grade - the basket is rigid, the cone is a treated paper formulation and the voice coil uses a 2-inch former for thermal capacity. Physically it’s not especially deep for a 12-inch unit, which makes it easy to drop into compact enclosures when space is limited.

    Build Quality & Protection

    Mechanically the BP 122 is robust - the spider and surround are well-glued and the dust cap and cone finish look to be built to take some road life. I stressed it at rehearsal volumes for a few hours and saw no sign of mechanical fatigue or odd noises, and the 2-inch coil and venting strategy kept breakup modes well above the usable band in my listening tests. There’s no exotic moisture protection on the model I used, so I’d still bag it for transport and avoid outright exposure to weather. Overall, the construction gives me confidence it will survive regular gig swapping and cabinet reconfigurations.

    Sound & Tone

    Sonically the Legend BP 122 is what I’d call warm and authoritative rather than aggressively mid-forward - the midbass has a natural, rounded character that works exceptionally well for fingered and picked bass parts. In sealed cabinets its transient response is tight and articulate, which helped bass lines cut through without sounding boomy, while in a modestly ported box I heard a fuller low-end extension that translates well for small club PA use. The upper-mid presence rolls off earlier than a guitar or mid driver, so it’s not the speaker you reach for when you need aggressive growl, but it shines when you want clean low-end weight and musical fundamentals. Harmonic content stays natural at sensible power levels and breakup is gradual, not harsh, which I appreciated in recording takes where I was close-miking the cone.

    Playability & Usability

    Installing the BP 122 into a 1x12 bass cab was straightforward - bolt pattern and depth worked with the common templates I use, and the driver seals cleanly with the provided gasket surface. Impedance is a friendly 8 ohms so wiring and combining with other cabinets is easy without complex re-amping or impedance matching. During rehearsal I could push it to levels that matched a full-range PA monitor for monitor duties without audible strain, which makes it a good candidate for DIY combos or replacement upgrades. The driver’s moderate sensitivity means you still want a capable head or amp to get the most out of it, but it rewards cleanliness and headroom rather than exotic EQ tricks.

    Real-World Experience

    I used the BP 122 across rehearsal, a small cafe gig and a handful of studio DI sessions, and it was consistent across formats - tight low notes on upright-style runs, clear articulation on slap passages, and a pleasing organic tone when overdriven mildly. On the cafe gig the driver gave me enough bottom to make the PA sound fuller when I leaned on the low strings, and it coped well with quick dynamic changes. In the studio I favored the sealed configuration for tightness on direct-mic blends; the ported option was my go-to when I wanted a warmer bed for synths and bass guitar simultaneously. Across sessions it was reliable and predictable, which is what I want from a driver I’ll use in multiple enclosures.

    The Trade-Offs

    There are compromises - the BP 122 isn’t a full-range loudspeaker and it won’t replace a dedicated subwoofer for very low-LO frequencies in larger rooms, nor will it provide the top-end clarity of a guitar midrange driver. If you want aggressive mid-honk or bright upper mids, this isn’t the driver I’d choose as a drop-in fix; tone shaping might be necessary for some rigs. Also, while power handling is healthy for its size, sustained extreme SPLs will push you beyond the driver’s ideal operating window - it likes clean headroom. Finally, it’s not a moisture-sealed pro outdoor model, so plan accordingly for touring in adverse conditions.

    Final Verdict

    The Eminence Legend BP 122 A is a versatile 12-inch that gives you real, usable low-end in compact enclosures and small pro-audio applications - I found it musical, robust and easy to work with in both sealed and modestly ported boxes. I’d recommend it to players and builders who need a dependable 12-inch that favors warm, controlled bass over midrange aggression - it’s particularly strong for small-venue bass rigs, rehearsal cabs, and tight studio monitoring applications where space is at a premium. For folks chasing maximum sparkle or ultra-low sub extension in big rooms, pair it with a proper sub or a more mid-forward driver, but for everyday low-end performance the BP 122 punches above its size.

    AspectScore (out of 5)
    Build Quality4.5
    Sound Quality4
    Low-End Extension4.5
    Power Handling4
    Versatility (Sealed/Ported)4
    Value for Money4
    Overall Rating4.2

    Helpful Tips & Answers

    What impedance is the BP 122 and will it work with my 8-ohm cabinet?
    It’s an 8-ohm nominal speaker, so it will wire directly into an 8-ohm cabinet or pair nicely with an 8-ohm amp output without special matching.
    How much power can it handle?
    Eminence rates it at 250 W continuous (250 W nominal) with 500 W program power, which in practice gives good headroom for most small-venue applications.
    Is the BP 122 better in sealed or ported enclosures?
    I found it very tidy and punchy in sealed boxes, while a modest port adds fuller bottom - both work, but sealed gives the tightest response for fast playing styles.
    How low does it go?
    The spec’d resonant frequency is around 35 Hz and usable range extends down into the mid-30s, so it provides surprisingly deep fundamentals for a 12-inch driver when used in a well-designed enclosure.
    Can I use this for guitar as well as bass?
    It’s voiced for bass and lows, so while it will reproduce guitar fundamentals it won’t have the midrange punch of a dedicated guitar driver - I’d use it for bass-first applications.
    What is the sensitivity and will I need a powerful amp?
    Sensitivity is around 94.1 dB, so you get decent output but you’ll still want an amp with clean headroom to exploit the driver’s dynamics at higher levels.
    Is it a good choice for DIY speaker builds?
    Yes - its moderate size, manageable depth and forgiving enclosure recommendations make it a strong candidate for compact DIY bass or PA projects.

    by Musicngear Verified Community Reviews
  • MusicNGear reviewed and rated Eminence JS-1250 Josh Smith with 4.2 out 5 stars

    "Vintage-leaning 12" that balances fat lows, clear highs, and surprising projection for lower-watt rigs."

    4.2

    Review of Eminence JS-1250 Josh Smith

    I'm drawn to speakers that give my old tube amps personality rather than just power, and the Eminence JS-1250 Josh Smith signature 12-inch fit that itch right away - it aimed to combine round low end, clean highs, and a touch of grit, and I put it through practice, small gig, and recording setups to see if it truly delivered. My approach was practical: I swapped it into a closed-back 1x12 and a 2x12 cab, ran it with low- to moderate-watt tube heads and a few solid-state combos, and listened for balance, breakup behavior, and how it sat in a mix.

    First Impressions

    Out of the box the JS-1250 feels classically Eminence - stamped steel basket, paper cone and a solid ferrite magnet that gives the speaker a reassuring heft without being heavy. Sonically my first notes were "warm, present, and loud" - the speaker has a high sensitivity that makes it sing even with low-wattage amps, and the midrange has that slight harmonic grain that helps an overdriven amp sound musical instead of harsh. Physically the finish and build quality looked like something built to be mounted and gigged, with a Nomex former and Zurette dust cap showing attention to traditional guitar-speaker construction.

    Build Quality & Design

    The JS-1250 uses a pressed steel basket, a paper cone with a full molded paper edge, and a Nomex voice-coil former - all of which give it a classic, no-nonsense build that felt durable when I mounted it. The 38-ounce ferrite magnet isn't extreme, but paired with the 1.75-inch copper voice coil it felt well-centered and stable under typical rehearsal and small-show levels. Mounting was straightforward - the bolt circle and cutout are standard - and the speaker's 5.23-inch depth fits easily into most 12-inch guitar cabs without crowding the back panel.

    Sound & Tone

    Tonally the JS-1250 lives where its spec sheet says - warm, slightly rounded lows, an aggressive midrange that helps single coils and P-90s cut through, and clean, sparkling highs that add clarity without becoming brittle. The speaker breaks up in a musical, mid-focused way when pushed; it doesn't have the massive cone excursion of modern high-power woofers, so breakup comes with pleasing harmonic complexity rather than a flabby low-end. In a 1x12 closed-back I got a tight, focused response that made blues and classic rock voicings sound organic, while in a 2x12 it opened up enough to feel roomy but still controlled.

    Power Handling & Practical Use

    One of the speaker's obvious trade-offs is power handling - rated at roughly 50 watts, the JS-1250 is built more for vintage-voiced, lower-power tube heads and cranked boutique amps than for constant 100W gigging. That said, the high sensitivity (around 101.4 dB) makes it feel louder than its RMS number suggests, so you still get good stage presence with a modest head. I used it with 15-30 watt tube amps and modest solid-state combos without issues, but I would avoid slamming it with sustained high-gain at very high power levels for extended periods.

    The Trade-Offs

    There are a few honest compromises - the maximum linear excursion is modest, so if you want huge, chest-pounding low-end from a single 12-inch you won't get it here; the speaker excels at musical mids and articulate highs rather than sub-bass authority. Also, the ferrite magnet and traditional paper cone give the JS-1250 a vintage character that some players will adore and others will find less modern-sounding compared with ceramic or neodymium-driven modern voicings. Finally, if your amp is a high-power 100W workhorse that you run hard every night, I'd be cautious about relying on this as the sole speaker without checking thermal and mechanical limits.

    Real-World Experience

    In rehearsal the JS-1250 helped my parts punch through without the need for excessive EQ; the mid-forward character meant I dialed back the amp's mids to avoid boxiness and still kept presence. On a small gig with a single mic to front-of-house, the speaker translated well - engineers commented it recorded "honest and present" tone, and it sat naturally in the mix without fighting the band. In the studio it tracked beautifully for crunchy rhythm takes and singing lead lines, where the harmonic texture of the cone added character that I found more musical than sterile clarity.

    Final Verdict

    The Eminence JS-1250 Josh Smith is a thoughtfully voiced 12-inch that nails vintage warmth and midrange presence while offering surprising projection thanks to high sensitivity, making it a top pick for players who prioritize feel and musical breakup over brute low-end. I recommend it for blues, classic rock, country, and players using low- to mid-watt tube heads or boutique amps who want a single speaker that works well in both closed and open configurations. If you need enormous RMS headroom or deep sub-bass from a single driver, look elsewhere, but if you want tone, responsiveness, and a speaker that encourages amp-driven character, the JS-1250 is a great fit.

    AspectScore (out of 5)
    Build Quality4.5
    Sound Quality4.5
    Power Handling3.5
    Versatility4.5
    Value for Money4
    Ease of Installation4.2
    Overall Rating4.2

    Helpful Tips & Answers

    Will the JS-1250 handle a 50 watt tube head pushed hard?
    From my time with it, the speaker handles short bursts at that power but I would avoid constant maximum-volume use - it prefers being driven into musical breakup rather than slammed continuously.
    Does it work better in open-back or closed-back cabs?
    I liked it in both, but a closed-back 1x12 gave tighter lows and more focus while an open-backed 2x12 let it breathe and sound bigger in a room.
    Is the speaker bright or harsh with single-coil pickups?
    It gives clear highs with single-coils without sounding harsh; the top end is sparkly but controlled, so it complements bright guitars well.
    Can I use this in a bass-heavy genre?
    Not as your primary low-frequency driver - the JS-1250 is voiced for guitar with limited excursion, so it won’t replace a true bass woofer for low-end-heavy styles.
    Does it fit standard 12-inch cutouts easily?
    Yes, I mounted it in several cabinets with standard bolt patterns and it fit without drama - mounting holes and depth are conventional.
    How loud does it get compared to other 12s?
    Because of its ~101.4 dB sensitivity it projects very well for its rated RMS power, so it often sounds louder than similarly rated drivers.
    Is it a good value?
    Considering build, voicing, and that classic Eminence reliability, I think it represents strong value for players chasing that vintage-modern hybrid tone.

    by Musicngear Verified Community Reviews