Legendary Producer Stuart Epps Shares Secrets from Decades of Working with Iconic Artists
In this exclusive interview, legendary producer and audio engineer Stuart Epps talks about his career, what he’s learned from top artists, and why he started his own record label.
He also shares insights on artist development, music production, and the secrets to a great recording, plus how up-and-coming musicians can work with him to take their music to the next level.
Stuart Epps is a musician/engineer and producer. He has worked with prominent artists like Oasis, Elton John, and Twisted Sister.
Stuart recently started his own record company and looks forward to working with musicians and artists from all over the world.
Magesh Magesh, Musicngear: You have worked with incredible artists like Robbie Williams, Oasis, and Elton John. What did you learn from these people about working in the studio?
To be honest, every artist is different in how they work in the studio. What I can say is that these artists you've mentioned, who became so successful, did have one thing in common. Actually several things - their great talent, determination, single-mindedness, passion, and yes almost ruthless in their determination to be successful.
Musicngear: I noticed you have several Gold records on the walls of your studio. What was your contribution to these albums?
My contributions to the gold discs on my wall were mainly for engineering. However, on many of these albums, I also contributed as either a producer, as in the case of Twisted Sister, or as a co-producer.
Musicngear: Can you talk about why you started the Epps Record company?
I started the Epps record company to give the artists I'm producing an outlet for their music. I also help promote these artists on the radio and on music platforms.
It's great to hear new artists in all areas where I think I can add production value
Musicngear: Some new up-and-coming independent artists might write their own music but don't know how to take it to the next level. How can you help these artists be the best version of themselves?
Well, after writing music, the next level is in recording. Sometimes with just a demo or with full production. It's also important to have the song arranged.
These are all the areas I help with as a producer.
Musicngear: Your record company offers artists Music production, Artist development, and music distribution. Can people come to you for separate services? By that, I mean if they have recorded their demos at home and just want their tracks professionally mixed or mastered.
Yes, I also offer re-mixing and mastering for finished recordings.
The artist can produce pretty good recordings without a producer or without a professional studio surrounding. But the mixing and mastering can make or break a recording. It's still an activity that takes a certain amount of experience and professional knowledge, in my opinion.
Musicngear: Can you talk about how Artist development works at your record company?
Artist development can include help with songwriting, arranging, and vocal delivery. With musicianship, help with confidence in the studio and live. Really, it encompasses all aspects of the music-making process.
Whatever, as a producer, I feel the artist is lacking in, to help with this process.
There is still no replacement for a great guitar sound, piano, or drums
Musicngear: Most people who have home studios and use pro tools don't have high-end gear to record their music on. What sort of mixing desk and microphones do you use in your studio?
In my studio, I use a pretty simplistic music software. It's not the software that's important; it's how it's used. Having been recording for over 55 years and using all the tech invented in those years, I have in my head the sound I want to achieve.
I also play many instruments myself, so I do not need to use MIDI or other complicated tools to make music. All this cutting and pasting, unfortunately, can make recordings lack atmosphere and dynamics.
As for microphones, I do have a particularly great AKG that came from the Rolling Stones mobile studio in the ‘70s. It sounds great on most instruments but especially for vocals.
Musicngear: You have worked with 1980's Rockers Twisted Sister and Pop icons Oasis. Is there any one particular style of music you like recording?
I suppose my favorite music genre would have to be rock music. Although, of course, I'm also into pop and American country rock.
It's great to hear new artists in all areas where I think I can add production value. I can probably produce in all music genres, but it does help if I'm passionate about the music.
Musicngear: A Lot of music these days sounds heavily processed. Do you use any old-school vintage instruments or record anything in analog?
As I mentioned, I tend to use old-school methods still in producing and recording. I like to think recording these days is like painting a picture. Using all the available technology is like using different paints in a palette to ultimately get the sound you're after.
I don't use analog, but I try and get that same warmth and quality within the digital recording. Using compression and equalization with sometimes the analog sound in my head.
As for instruments, of course, there is still no replacement for a great guitar sound, piano, or drums, as long as it's played by a great and competent musician.
Yes, machines can replicate this, but not when it's played by a master.
Musicngear: How do you suggest people prepare before going into the studio to record their music?
There is no doubt in my mind that preparing for a recording is vital. I'm amazed sometimes at artists who write a song and then can't remember the chords or lyrics. Before recording, you should know the song inside and out.
If you're the vocalist, then, of course, you should practice over and over, experimenting with the phrasing until you're happy with it. If you're a musician, then try different ways of playing to get the best. Rehearsing everything possible so you are prepared. Of course, there should always be room for that extra magic to happen live in the studio.
But being prepared and well-rehearsed is vital.
Musicngear: Let's say people have an outline of a song, do you co-write with new artists?
Yes, I co-write with artists where necessary. I've been writing songs for many years and studying song arranging. It's often the case where the artist has the verse and chorus but missing the bridge or middle 8, as we call it.
Musicngear: How can people get in touch with you who want to work with you?
To get in touch with me is very easy. Via my website, https://stuartepps.co.uk, or direct to my email <stuarteppsmusic@gmail.com>.
Stuart Epps - Epps Record Company
Stuart Epps talks about his amazing journey in the music business
About Magesh Magesh
Magesh is a musician and producer who has worked with Rihanna, Lionel Richie, Ricky Martin, Chris Brown, The Pussy Cat Dolls, Nelly Furtado, and Vernon Reid of Living Colour.
He released an instructional drumming DVD called "Unique Beats" where he mixed the drum kit with electronics and Indian hand percussion. He recently moved from Australia to the UK to explore new musical opportunities.
Website: mageshdrumteacher.co.uk
Contact Magesh Magesh at magesh.magesh7@gmail.com
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